The relationship with a technological environment invokes a new creative potential for human discourse. The utilization of technology largely dictates its own aesthetics, provokes a constant generational process of rediscovery and confrontation with the past. Machines established their lineage outside of art or strict aesthetic considerations, their languages are derived primarily by the intrinsic modalities within technological systems. Hollis Frampton talks about writing in relation to the artistic process which attempts to expand the written language to include the articulation of an environment of symbiotic interaction between all of our sensory modalities and those of technology. (Summary by L.D.)